|
|||||||||||||||||||||||||||||||||||||||||||
|
INTRODUCTION The Bo is part of a collection of Okinawan farm tools that were also used as weapons. Some of these other farm tools were the sai, and the tonfo. The Bo itself is a stick about the height of the individual. It was used as a staff. The Bo is also a way to carry heavy loads, such as water buckets, with the Bo proportioned across the back of the neck and shoulders and the loads suspended from each end of the Bo. Okinawan farmers became very skillful in handling the Bo because it was an object they used every day and was readily accessible. To them, it was an extension of their hands. In self-defense situations, the Bo had several advantages besides its accessibility:
Today one can find similarities with the Bo in broom handles, walking canes, closet poles, dowels and rifle/bayonet. |
||||||||||||||||||||||||||||||||||||||||||
| HISTORY Whether factual or not, one popular theory states that around 517 A.D. The Zen Buddhist priest Daruma Daishi, the leader of the Shorin-ji Temple in China, brought into effect fluent use of the Bo. The Bo-jitsu techniques Daruma ordered his disciples to master and perfect greatly influenced the later development of Ryukyu Kobu-Do. Ryukyu Kobu-Do, the Okinawan art of using karate weapons such as the Bo, the sai, the kama (sickle) and the nunchaku, first gained prominence around 1314 A.D. when the Japanese government passed two laws which deeply outraged the people of Okinawa. First, it barred all inhabitants of the island from owning or possessing any sort of lethal weapon. Second, it imposed on them a monumental increase in taxes. The Bo itself originated with the tenbin, a stick held across the shoulders, usually with buckets hanging from each end that was used to convey food or water. When the need arose, the tenbin was manipulated to strike or block in techniques either based on or very similar to those used by Daruma and his disciples. More than karate or any other popular martial art, sources of information on Kobu-Do are scarce. Many styles, Kata and techniques have accompanied their creators into eternal oblivion because records of the art's development are virtually non-existent. |
|||||||||||||||||||||||||||||||||||||||||||
BASICS
| |||||||||||||||||||||||||||||||||||||||||||
![]() |
|
|
|
![]() |
|
| |